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Lehrkörper

Danny Grissett

Head of Keyboard Instruments (Pädagogik)
Hauptfach/Instrument: Klavier

Ausbildung

  • California State University, Dominguez Hills
  • CalArts / California Institute of Arts, Santa Clarita
  • Thelonious Monk Institute of Jazz Performance Los Angeles

Berufserfahrung

  • Kooperationen mit Billy Higgins, John Heard, Roy McCurdy, Barry Harris, Billy Childs und Buster Williams
  • Als Sideman: Nicholas Payton, Benny Golson, Russell Malone, Vanessa Rubin, Vincent Herring, Louis Hayes, Lenny White, Lage Lund and Marcus Strickland
  • Seit 2006 fixes Mitglied der Bands von Jeremy Pelt und Tom Harrell

CD Publikationen (Diskografie)

  • Als Leiter: Promise - Criss Cross, 2006; Encounters - Criss Cross, 2008; Form - Criss Cross, 2009; Stride - Criss Cross, 2011
  • Als Sideman: Number Five - Tom Harrell, High Note, 2012; Soul - Jeremy Pelt, High Note, 2012; Milo’s Songs - Anne Mette Iversen, 2011; Roman Nights - Tom Harrell, High Note, 2010; Men of Honor - Jeremy Pelt, High Note, 2010; I’m Still Here - Kiyoshi Kitagawa, Sawano, 2009; Early Songs - Lage Lund, Criss Cross, 2008; Gifts and Givers - Jimmy Greene, Criss Cross, 2007; Ends and Means - Vincent Herring, High Note, 2004

Lehr- und Forschungstätigkeit

  • JAM MUSIC LAB - Conservatory for Jazz and Popular Music Vienna, seit 2012
  • Visiting Artist in Residence, November 2011, Eastman School of Music, Rochester, NY
  • Adjunct Faculty, Jazz Piano Lessons, 2005 to 2012, New School University, New York, NY
  • Adjunct Faculty, Jazz Ensemble, September 2001 to May 2003, California State University, Dominguez Hills, Carson, CA
  • Visiting Artist in Residence, September 2000 to May 2001, California State University Dominguez, Hills, Carson, CA
  • Artist in Residence, March 2007, La Guardia High School, New York, NY
  • Master Class Presenter, November 2007, Saratoga College, Saratoga, NY
  • Graduate Assistant, September 1998 to May 2000, CalArts, Santa Clarita, CA

Publikationen über Danny Grissett

  • Downbeat Magazine: Danny Grissett, Leader’s Languages - Artikel von Ted Panken, April 2010
  • Invention, Design, Technique in Two Bars - Artikel von Michael Leibson, April 2010, Analyse einiger Takte eines Solos über seine Eigenkomposition Waltz for Billy.

 

Publikationen und Leistungen